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Which is the best brand promotion companies in mumbai
Mumbai, often referred to as the business hub of India, is home to a thriving and competitive market. In this dynamic landscape, the role of brand promotion companies in Mumbai is of paramount importance for businesses aiming to stand out and succeed. These agencies are the driving force behind many successful brands, helping them build their identity, connect with their target audience, and achieve sustained growth.
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Are you looking for best influencer marketing agency in india
With a keen understanding of the Indian market and a finger on the pulse of consumer trends, we bring a fresh and innovative approach to influencer marketing agency in india. Leveraging an extensive network of influencers across various niches, we curate impactful campaigns that resonate with your target audience.
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Find us for buy best youtube promotion packages in india
Looking to boost your presence on the world's most popular video platform? Brandezza's YouTube promotion packages India are your ultimate solution. With our expert strategies and tailored packages, we empower businesses to shine on YouTube like never before.
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When it comes to boosting your brand's presence, partnering with a reliable brand marketing company Noida, Brandezza is the brand marketing company you can trust. With a proven track record in the industry, We specializes in enhancing brand visibility and engagement.
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Oil Spill Management Market Analysis by Trends, Size, Share, Growth Opportunities, and Emerging Technologies
The oil spill management market was USD 139.8 billion in 2022, and it will touch USD 179.6 billion, advancing at a 3.2% compound annual growth rate, by 2030.
The progression of the industry is because of the execution of strict government rules, increasing offshore drilling activities to meet the mounting demand for oil, and the growing prevalence of hull breaching of tanker ships.
In 2022, the post-oil spill management category, based on technology, accounted for the largest share, of approximately 55%. The method includes the utilization of skimmers, sorbents, and booms for cleaning up the spilled petroleum. Moreover, booms and floating barriers are mostly utilized to contain the spread of oil on water.
The pre-oil spill management category held a substantial share, because of the stringent protocols of maritime trade used by oil businesses during the petroleum products transportation.
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Moreover, these rules apply to both onshore and offshore petroleum production in the continent and its transportation through several approaches, including pipelines, ships, and trucks.
The APAC oil spill management industry is expected to observe the highest growth in the years to come during. This is attributed to the surging production and exploration activities, due to the increasing requirement for petroleum products in the region.
Moreover, the prevalence of oil spillage is growing in this continent and boosting the need for pre-and post-spill management technology methods.
With the surging offshore drilling activities, coupled with the surging demand for oil, the oil spill management industry will continue to advance in the years to come.
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KLM flight tracker | +1-877-335-8488
Know about KLM flight tracker guidelines in this short blog at Airnsky. Read the details or call the KLM customer service assistant at the mentioned number +1-877-335-8488 (OTA) or +1-800-618-0104.
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Satta king fantasy game online became a rich in 2023
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Watch Legendary love story ghazal song Lafz Bheege Hain
Sufiscore celebrates an epic Indian love story, an ‘amour eternal’ on the new release Lafz Bheege Hain (“Words Drenched in Tears”). The album features lyrics from the esteemed contemporary poet, Ajay Sahaab with beautifully sung melodies from lead vocalist Pratibha Singh Baghel. The songs on Lafz Bheege Hain follow the story of unrequited love involving two eminent writers from India’s social justice-oriented Progressive Writers Movement, Punjabi Amrita Pritam (1919-2005) and Sahir Ludhianvi (1921-198. Pritam, a novelist, essayist and poet, discusses her unrequited love for Ludhianvi, the poet and film lyricist, in her 1977 autobiography ‘Rasidi Ticket’ (a.k.a. The Revenue Stamp).
“There is a saying in India that if you want to express love, you resort to Urdu,” declares poet Ajay Sahaab. Sahaab drew on his lifelong passion for Urdu to evoke a familiar “tear-drenched” story that has almost acquired the status of a legend or folk tale.
Lafz Bheege Hain consists of five songs, modern in sound and conception, yet following the traditional form of the ghazal: a poem with rhyming couplets in prescribed patterns, usually sung in Urdu, the “love language” par excellence of the subcontinent. This great love story between Amrita Pritam and Sahir Ludhianvi has been depicted in literature and film — and in that spirit, director Parasher Baruah has created a sequence of videos to accompany all of the ghazals of Lafz Bheege Hain, featuring famed actors Prachi Desai and Som Chattopadhyay in the leading roles.
The emotions summoned by this love story”, says singer Pratibha Singh Baghel, “are held in common throughout the world. Those feelings of love and separation and sadness are the same everywhere. The poetry and compositions of Lafz Bheege Hain are for everybody who can relate to this.” Desai strikes a similarly universal chord: “I don’t know where we all find our strength, but after some of the biggest losses we ever have, we somehow make it through. It’s a hopeful message for anyone watching these videos or listening to this music.”
To capture these nuanced sentiments, composer Rajesh Singh drew upon what are known in Hindustani classical music as “evening ragas,” scales and tonalities associated with the time of day, he says, “when the solitude is very intense, and the melancholy and sadness comes throbbing upon us.” From these evening ragas come the beautiful melodies of Singh’s imagination. The rhythms are hypnotic; the lush, flowing chord progressions are informed by Western harmony but applied in such a way as to underline the ragas’ traditional character. “As a composer I had to find a correct mood and balanced sound to express the melancholy and divinity of pain portrayed in these ghazals,” adds Singh. “I observed that the pain of separation expressed by the poet here has no bitterness, and there is a subtle acceptance of separation due to social circumstances. Hence the notes had to be carefully woven not to sound depressing or negative.
Arranger and producer Paras Nath played a crucial role in bringing Singh’s compositions to life with rich and varied instrumentation and sonic character. “Because of Paras’ contribution,” says Pratibha Singh Baghel, “I was able to deliver the way that I did. So a lot of credit for this project goes to him.” Building upon Singh’s vision for each composition, Paras Nath reports trying “to enhance the feel of the ghazal. In every song I used something different.”
Cello, acoustic guitars, violin, viola and keyboards enter into the mix of Lafz Bheege Hain as well as Hindustani bansuri flute, the fretless sarod and the bowed sarangi. “Each instrument has its own character,” Paras Nath observes. “I didn’t want a loud arrangement,and I was careful not to overshadow the singing and the lyrics.”
Along with her extensive accomplishments in Indian musical theater and Bollywood playback singing, Pratibha Singh Baghel has devoted herself to the art of classical Hindustani music in a forward-looking, internationally minded modern vein. Lafz Bheege Hain is a vital part of that effort. To the poet Sahaab, the goal is to “revive the classicity of the ghazal,” bringing the traditional form into vibrant contact with Western elements before a worldwide audience. “In a very humble way but with energy,” says Sahaab, “we are trying to convey emotions so that modern generations can feel the intensity of words, music, poetry, composition and instruments.
“For me the songs on Lafz Bheege Hain are part of a single work of cinema,” says Parasher. “I wanted to narrate certain aspects of the story and portray universal themes of love and longing. I approached the cinematography with an idea of recreating the 1950s and ’60s, a personal homage to the heyday of Indian cinema when romance was celebrated in all its emotions, blending poetry with visual storytelling. Choosing to shoot in colonial Pondicherry and Mumbai, our choice of locations, production design and styling helped in this a lot.” For Prachi Desai, the alluring beauty of the audio tracks generated all the inspiration and excitement she needed: “When I first listened to Lafz Bheege Hain, time stopped,” she recalls. “I knew I had to be a part of this. I’m glad that this was my first ghazal ever.”
https://sufiscore.com/lafz-bheege-hain/
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